Andrea Lepcio
212-727-7423 lepcio@gmail.com www.andrealepcio.com
Full Length
Tunnel.
Vision. (formerly Sad Mad Glad Bad)
Mini-Workshop
New Georges, Mar 10. Workshop New Perspectives Theatre, directed by Melissa
Maxwell, Jul 09. Roundtable at
Me You Us
Them Reading,
directed by Zach Morris, at playgroundzero part of undergroundzero festival at P.S. 122, Jul 09. Roundtable at
Looking for
the Pony Rolling World Premiere Vital Theatre in
One Nation
Under Productions Three Chicks Theatre, Aug-Sep 08
and At Hand Theatre Company, Aug 07.
Staged reading at Carnegie Summer New Play Festival, Jul 07. Lark Playwrights’ Workshop, Jan 06 and Mar
05, directed by Stephanie Gilman.
Reading at Carnegie Collaborative, Oct 05.
Bottom of
Nine
Eclipse Production at Titans Theatre, Apr-May
03. Staged
reading Shalimar Productions, Jan 02 and as part of Creative Response Team,
Live Theatre, Nov 01. Staged reading at
Carnegie Mellon University Summer New Play Project, Jul 99.
Hook &
Eye Production
at Trustus Theatre, 01 - Best-selling show of season.
Reading
at Trustus Theatre, Aug 00. WCDAC,
Musicals
The Ballad of
Rom & Jules Lyrics by Cheryl Davis and music by Brooke
Fox concert reading at Bard Summerscape Jul 10.
The Gold co-bookwriter
with lyrics and music by Philip Yosowitz.
Production presented by
The
Aug 02. Best of
American Living Room, Sep 02.
Tumble Jumble
Estrogenius, Oct 08.
Dyke Patrol New
Perspectives Theatre, Women’s Work Lab, Aug 08.
A Peddler’s Tale: Buttons, Guts & Bluetooth
Commissioned
and presented by Women’s Project and arts>
How I Won the War Vital Theatre, Directed by Jim Duff Dec 06.
The Macalfardongregintosh
Twins The Lady Cavaliers, Jun 06.
Second Kiss Bloody
Unicorn, Az, Sep 06. Vital Theatre, Dec
05 and Sam French, Jun 06, directed by Stephanie Gilman. Reading at ArtsPass, Mar 05.
Out There Lyrics
and music by
Get in the
Car Provincetown
Theatre Company, May 05. Estrogenius,
Oct 04.
Do
Over Tandem
Acts, Women’s Project and Productions, Apr 04.
Can You Get
My Cat Off My Ass? Part
of Inside Out, Women’s Project and Productions, Mar 04.
Why Do Good Boobs Go Bad? Estrogenius, Oct 03.
Peace on Earth Goodwill to… Women’s Project /THAW, Feb 03.
Parched Dance-theater
created with Zach Morris and Nikki Berger,
Night, Night Vital Theatre, Oct 02. Tandem Acts,
Women's Project, Apr 02. Culture Project, Jul 02.
Looking for
the Pony
Manhattan
Theatre Source, Sep 02. Samuel French Festival, Aug 02. Strawberry Festival,
Jul 02. Vital Theatre, directed by Brooke O’Harra, May 02.
Whodunit Vital Theatre Company, Oct, 01. Reading
Teacher's Theatre of NJ, Apr 02.
Benny
and the Cow Titans Pantheistic Vaudeville,
The Wife Seller Workshop, Hangar Theater, Lab Company Playwright Residency, Jun 99.
Average
Family Business Workshop at
Theater, Lab Company Playwright Residency,
Jun 99.
Love’s Lost and Found
Women Playwrights Collective, Aug 98.
Screenplays &
Television
and Jill, under development with Jim Duff
The Immediacy
Project, experimental dance, spoken,
sung film with choreographer/director Zach Morris and Third Rail Projects, in
post production
A September Spring, two-hour screenplay, unproduced, 99
“Crimes and Misdemeanors”,
short broadcast by PBS,
Sloan Film and Television Summit, ‘99.
Awards
Finalist
Dramatists Guild Hull-Warriner Award along with along with Ruined, The Orphan Home Cycle, Circle Mirror
Transformation and The Brother/Sister
Plays.
Finalist NEA Outstanding New American Play, Looking
for the Pony, 08
Alternate, Sam French
Festival, “Second Kiss,” ‘06
Finalist
Heideman Award, “Get in the Car,” 04; 10-minute version “Looking for the Pony,”
‘03
Dramatists Guild Fellow, 03-04; Assistant to Terrence
McNally on premiere of The Stendhal Syndrome
at Primary Stages, ‘04; invited back to coordinate Fellows program
Finalist The Playwrights’ Center/Guthrie Theater
“Two-Headed Challenge” ‘04
Winner ‘01 Trustus
Playwrights’ Festival, Hook & Eye
Finalist
Reva Shiner Full-Length Play Contest,
Semi-Finalist O'Neill
National Playwrights Conference ‘02 Bottom
of Nine; ‘00 Hook & Eye
Short-listed PlayLab,
Orlando-UCF Shakespeare Festival, ‘01, Eclipse
Sloan Foundation Dramatic Writing Award for the
screenplay, A September Spring, ‘99
Carnegie Mellon
Publications
“Second Kiss” – Best Ten Minute Play with Three or More Characters of ‘06,
Smith & Kraus
“Eclipse – Excerpt” 60
Seconds to Shine: 221 One-Minute Monologues
for Men, Smith & Kraus ‘05
“Get in the Car” Estrogenius ‘04, Manhattan Theatre Source
“Why Do Good Boobs Go
Bad?” Estrogenius ‘03, Manhattan Theatre
Source
“Looking for the Pony” Plays and Playwrights 2003, Ed. Martin
Denton, The New York Theatre Experience, February ‘03; Estrogenius ‘02,
Manhattan Theatre Source.
“Whodunit”, lichen, vol.
4, no. 2, “letters”, fall ‘02
StageCenter,
Professional Memberships
BMI-Lehman
Engel Librettist Workshop
Dramatists Guild
International Centre for
Women Playwrights
League of Professional
Theatre Women
New Georges
New Perspectives
NewShoe
NY Theatre Experience
Advisory Committee
Three Chicks Theatre
Women’s Project
Teaching
Dramatists Guild, 2004-Present,
Program Director Fellows Program for emerging
playwrights, lyricists and composers.
Stony
Brook University, Guest Faculty, 2010
College of the
Principal
Business and Institutional Affiliations
Dramatists
Guild Fellows Program Director, ‘04-Present
Community Board, Open Meadows
Foundation (Benefiting women and girls), ‘90-Present
Principal, Rosen Consulting Group, ‘97-Present (Flexible
part-time)
Vice President, Chase Manhattan Bank, ‘88-’97
Analyst, Salomon Brothers, ‘86-‘88
Analyst, Center for Real Estate and Urban
Economics,
Land Use
Coordinator/Strategic Planner,
College of the
Teachers:
Jeff Monahan (Screenwriting); Sarah Charno, Oliver Goldstick, Mary Sue
Price (Television); Peter Frisch (Directing); Mladan Kiselov, William Hickey,
Myra Carter, Kelly Morgan, Ellie Renfield, Linda Key (Acting); Judy Conte,
Debra Floyd, Martha Yoshida (Dance); Karen Oster, Diane Barclay, Gloria Biegler
(Voice)